More than a  Product:  a Souper Can
            By Carmen Lei  
              
            
            
            Open the kitchen drawer with your hands
              You’ll find a thousand cans
              The trend will never end
              And you’ll love it without sense
            Is  it a can of soup or a piece of art? Warhol used ordinary objects of  contemporary life in the 1960s’ as his subjects and raised everyday life to the  status of art. His name is synonymous with the Campbell’s  soup can – the soup can that is also a treasure. The treasure has made a great  influence on generations of artists and Warhol showed us that he could turn  commercial art into pop art. 
            Andy Warhol said, “I love it…I just paint
                things I always thought were
                beautiful…Because I used to drink
                (Campbell’s Soup). I used to have the same
                lunch every day for 20 years.” 
            Walk  through any major supermarkets around the globe and it is likely that you will  come across the product with a red-and-white label – the Campbell’s  Soup. This canned soup is not only a consumer product but the most reproduced  image across cultures from the 1960s onwards. The image has been integrated  into graffiti, screen-printed on a T-shirt or even become an iconoclastic  painting which displayed in the Museum of Modern Art,  New York.
            The  ubiquitous pop painting Campbell’s  Soup in 1962 had catapulted Andy Warhol, one of the greatest American avant  garde artists, to fame. He had painted the masterpiece 100 Cans in 1962 and the  Campbell’s  Soup Can (Tomato) in 1964. Throughout his life, the Campbell’s  Soup had become a part of him and he could not even be compartmentalized from  it in the world of art.
            In  1897, Dr. John T. Dorrance, the founder of the Campbell’s  condensed soups, brought the soups successfully to the public conscious for its  convenience and low price. At that time, each can sold for ten cents and this  price definitely attracted the potential consumers. Dorrance turned the soup  into a must-have consumer good among the lifestyle choices. The product was awarded  a gold medal at the Paris Exposition in 1900 for the image of which still  appears on its label, and this was the certification of its success.
            The image and label will last to the end
              That’s the red-white label Can
              For Warhol painted the “100 Cans”
              They all exploded with a bang!
            As the Campbell’s  is so renowned in the American culture and so illustrious in the pop art, people  will spend millions of dollars for art pieces that make reference to it. At the  Sotheby’s auction of New York  in 1998, the Campbell Souper Dress produced by the Campbell’s  soup had been sold for an amazing price of US $6,900! Rather than just a simple  consumer product, the Campbell’s  Soup has become a distinguished product of visual art and a popular culture.
            “Mr.  Pop Art”, Andy Warhol, found inspiration and produced works using a wide  variety of images from sources like mass media and commerce. Being a commercial  illustrator at that time, Warhol’s motives as an artist were questioned and  this led to a great deal of controversy. He wanted to make the society aware of  his own obsession. He made the soup accessible to all people of all classes and  races. Warhol was not just making a commercial illustration; he was making art  that was brewing inside him and the society at the same time he was reflecting  concerns and anxieties of his time. Most importantly, he was making art from a  can of soup.